UPDATE 3: Great photos here (h/t Marmot)
UPDATE 2: The Wall Street Journal fills in some more details on the Monument:
This month, workers from Mansudae Overseas Project Group of Companies, a North Korean design firm, were putting the finishing touches on a giant copper sculpture of a family. Senegal President Abdoulaye Wade will inaugurate the African Renaissance Monument in April to mark the 50th anniversary of the country’s independence from France, a ceremony he expects the president of North Korea’s Parliament to attend.
“Only the North Koreans could build my statue,” says Mr. Wade, sitting in a red velvet chair in his palace. Moreover, they offer monuments at a good rate, he says: “I had no money.”
North Korea is mainly known for a totalitarian regime overseeing economic failure. But it has also produced a successful export business—building monuments to freedom and independence. The statues’ selling point: They are big, simple and cheap.
Over the past decade, Mansudae has built dozens of statues and monuments for cash-strapped African countries. Botswana cut the ribbon on a memorial to three tribal chiefs in 2005. Neighboring Namibia boasts a bronze of its founding president wielding an AK-47.
The African Renaissance is Mansudae’s biggest work yet, measuring 164 feet high and crowning two barren hills in Dakar called “Les Mamelles” at the westernmost point of Africa. That makes it taller than either the Statue of Liberty (151 feet) or Rio de Janeiro’s Christ the Redeemer (100 feet). The statue depicts a father holding a baby in his left arm. The man’s right arm is around the waist of the baby’s mother. The three are reaching out to the sky and out to the ocean.
“Its message is about Africa emerging from the darkness, from five centuries of slavery and two centuries of colonialism,” says Mr. Wade.
Africa’s rash of nationalistic monuments, statues and shrines has made Mansudae’s signature aesthetic of socialist realism fashionable. In Benin, for example, a statue of a 19th-century king holds his hand up, symbolically forbidding the French to enter.
Socialist realism is popular “because people can access it easily,” says Mary Jo Arnoldi, curator for African Ethnology at the Smithsonian Institution. It is easy to understand for illiterate populations, she says. “But aesthetically, it’s not going to win any prizes.”
In Senegal, however, the statue has been a beacon of discontent, sparking angry newspaper editorials and protests from religious leaders. The statue’s sultry mother figure, dressed in a wisp of fabric that reveals part of a breast and a bare leg, has offended imams in this majority-Muslim country.
Financing details for the project have been murky, and some taxpayers are outraged by the very idea of it when power outages occur daily and university students strike over rising fees. Mr. Wade had no budget for the African Renaissance, so instead offered a prime chunk of state-owned land in exchange, which North Korea has since resold at a large profit, he says.
However, a panel near the base of the monument lists the official budget as $25 million, though foreign government officials estimate its cost at around $70 million. Mr. Wade says he plans to keep 34% of the profit from entrance fees and merchandise for a personal foundation.
The North Korean role is of less concern, though labor unions do lament that Mansudae got the job when an estimated 49% of the population is unemployed: 150 North Koreans are building the statue, helped by just 50 Senegalese. Mamadou Diouf, the head of the Confederation of Autonomous Unions of Senegal, says the project doesn’t look African.
“If [building the statue] was a priority for our country, it could have been done by Senegalese workers in a manner much more in line with our values,” he says.
A short video related to this story can be seen here.
The monument’s location is here.
UPDATE 1: The Guradian brings us up to date with the monument’s construction:

According to the Guardian:
The statue shows a muscular man in a heroic posture, outstretched arms wrapped around his wife and child. Nearly 50 North Korean workers were brought in to build it, because of their expertise with bronze art, and some Senegalese have complained of its communist-era design. It has also drawn criticism from Muslims, who make up 94% of Senegal’s population, because of Islamic prohibitions on representations of the human form.
Abdoulaye Wade, Senegal’s octogenarian president, has compared the work to some of the west’s best-known landmarks, and some Senegalese do regard it as a symbol of pride that has economic spin-offs.
Alassane Cisse, a Senegalese delegate at the world summit on arts and culture in Johannesburg, South Africa, said: “All cities need signatures, but in Dakar we have had only monuments which existed during colonisation. Africa needs its own great monuments like the Eiffel tower and the Statue of Liberty. This symbol of African renaissance will motivate people to rehabilitate and work with Africa.”
He added that the site has exhibition, multimedia and conference rooms, as well as a top-floor viewing platform giving a bird’s eye view of Dakar. “It will be a cultural place. Around the monument there will be a theatre and shops. Many tourists will visit there, so the economic effects will benefit the population.”
But the president has sparked anger by maintaining that he is entitled to 35% of any tourist revenues it generates, because he owns the “intellectual rights”.
Critics say the £17m could have been used for more pressing concerns. Djiby Diakhate, a sociologist at Dakar’s Cheikh Anta Diop university, told the Associated Press: “Senegal is going through a profound crisis. Our economy is dying. People are struggling to eat. We should be spending money helping people survive.”
ORIGINAL POST: As some readers may be aware, I have been tracking down monuments and buildings constructed by North Korea’s Mansude Overseas Project Group. To date, I have tracked down quite a few (see North Korea Uncovered for the full list).
One such find is the “Monument to the African Renaissance” in Dakar, Senegal. See this Voice of America story for background. Well, a friend of mine recently visited Dakar and snapped this photo of the monument’s construction:

Click on image for larger version
I believe we can see a leg on the lower left. The majority of the construction so far seems to be support.
Note to readers: if you are aware of any other North Korean-built (or operated) buildings/monuments/businesses/restaurants in your country, please let me know. I do not believe a comprehensive list of these projects exists, so getting this information together now will certainly be valuable to future historians. How is that for motivation?