Archive for the ‘Art’ Category

Can North Korea be safe for business?

Thursday, May 20th, 2010

Geoffrey Cain writes in Time:

Few investors can boast the one-of-a-kind global pedigree of Felix Abt. Since 2002, the Swiss businessman has found his calling as a point man for Western investments in — of all places — North Korea, where he helped found the Pyongyang Business School in 2004. He also presided over the European Business Association in Pyongyang, a group in the capital that acts as a de facto chamber of commerce. A few years ago, that position led him to help set up the first “European Booth” featuring around 20 European companies each year at the Pyongyang Spring International Trade Fair, an annual gathering of 270 foreign and North Korean companies currently underway in the hermit kingdom until Thursday.

Yet Abt, 55, who lives in Vietnam and therefore won’t be attending the trade fair this year, laments the giant cloud hanging over the country: in recent years, political turmoil on the peninsula has raised the stakes even further for doing business in North Korea — even for the country’s main patron, China. Though investors have always faced the prospect of sanctions, he says, the situation has worsened after the United States ratcheted up sanctions on the government in 2006 on allegations that it was counterfeiting U.S. dollars. And in 2006 and 2009 the Kim Jong-il regime tested two small nuclear bombs, prompting heavier sanctions from the United Nations in 2006. Recently, tensions with Seoul have spiked over the March sinking of a South Korean corvette in waters near the North.(See pictures of the rise of Kim Jong-il.)

Those measures hit home for Abt. While he was running a pharmaceutical company in Pyongyang called Pyongsu in the mid-2000s, he learned that the U.N. Security Council had imposed sanctions on certain chemicals — a move that could have forced him to completely stop manufacturing medicine. Thankfully, he adds, he had already secured a large stock of the substance beforehand. “Whatever business you are involved in,” he says, “some day you may find out that some product or even a tiny but unavoidable component is banned by a U.S. or U.N. sanctions because it can, for example, also be used for military purposes.”

Those dilemmas haven’t stopped Abt. In 2007, he co-founded an information technology firm in Pyongyang called Nosotek, whose 50 or so employees design software applications for the iPhone and Facebook. The venture has already seen its share of success: one of its iPhone games ranked first in popularity for a short while on Apple’s Top 10 list for Germany — though he can’t name the software out of concern for protecting his contractors from bad publicity.(See pictures of North Koreans at the polls.)

For some companies, the stigma of a “Made in North Korea” label matters less than the competitive edge gained from having low overhead costs and a diligent workforce whose wages remain less than outsourcing powerhouses like China, Vietnam and India. In the past, North Korea has attracted the interest of multinational corporations looking for cheap labor in fields as diverse as electrical machinery and cartoon animation. Yet few multinationals show their faces at this month’s fair, a decline from the early 2000s when Abt says they were appearing regularly to look for opportunities in electricity, infrastructure, transportation and mining.

Not all foreign ventures in the North are driven by profit margins alone. The 2005 animated Korean movie Empress Cheung, a popular fantasy film drawn jointly by South and North Korean animators, brought attention to the animation industry in North Korea. Nelson Shin, head of the Seoul-based animation studio that started the project, claims he worked with North Korea for a greater cause than cheap labor. “It wasn’t so much because of cost efficiency as because of cultural exchange between the two Koreas,” he says.

For a country so poor, North Korea has churned out a remarkable number of talented engineers and scientists who fuel some of these small sectors (along with its controversial nuclear weapons program). In the 1960s and 1970s, the government pushed the country to become self-sufficient through development projects, a part of its ideology of “Juche” that promotes absolute autonomy from foreign powers. The communist regime of Kim Il-sung prided itself on its universities and public housing system, in particular. “It was an advance from pre-World War II days,” says Helen-Louise Hunter, a former CIA analyst now in Washington, D.C., who researched North Korea during those decades. “Kim Il-sung was genuinely interested in improving his people’s standard of living, and was off to a good start in a couple of areas compared to South Korea in those early days.”

Yet North Korea fell behind after the South’s own military dictators put their country into industrial overdrive throughout the 1970s and 1980s. Then the Soviet Union collapsed in 1989, depriving North Korea of valuable aid. Then came a famine in the mid-1990s that delivered the final blow, leaving up to 3 million people dead and crippling the capacities of the already isolated state.

Today, the pariah regime of Kim Jong-il is allegedly known to raise money through illicit activities like trafficking narcotics and money laundering. But it’s not known how much those activities figure into the country’s GDP of $28.2 billion in 2009 and its $2 billion worth of exports in 2008, the most recent year data is available. “Not that much income comes from illegitimate operations if you mean drugs and counterfeited dollars,” says Andrei Lankov, a North Korea expert at Kookmin University in Seoul. “More come from arms sales, though, but I would not describe this as an illegitimate trade.”

Abt shakes off the image of Pyongyang being the center of a mafia state. He sees himself and other foreign investors as the potential movers and changers of Kim’s hermit regime. “Cornering a country is ethically more questionable than engagement,” he says. “Foreigners engaging with North Koreans are change agents. The North Koreans are confronted with new ideas which they will observe and test, reject or adopt.”

Read the full story here:
Can North Korea Be Safe for Business?
Time
Geoffrey Cain
5/20/2010

Share

Vienna’s Museum of Applied Arts hosts DPFK art

Tuesday, May 18th, 2010

UPDATE 3: The Los Angeles Times also covers the story:

More than 100 oils, watercolors, traditional Korean ink paintings and posters from the Korean Art Gallery in Pyongyang have been drawing a blurry line here between art and propaganda.

Does the show at Vienna’s MAK: Austrian Museum for Applied Arts/Contemporary Art offer a rare glimpse into an isolated and largely unknown North Korean art scene, or is it merely a stage for a regime that uses art not only as a messenger of its political ideology but also as a source of international funding?

The term “political propaganda” does indeed come to mind while viewing the exhibit “Flowers for Kim Il Sung,” on display since May and running through Sept. 5.

A significant portion of the show is dedicated to monumental portraits of Kim Il Sung and his son/successor, Kim Jong Il. They are either walking proudly together or are featured in scenes with peasants, soldiers or children in front of lush, blossoming gardens.

One work, titled “Kim Jong Il, the Supreme Commander of the KPA, Deeply Concerned Over the Soldiers’ Diet,” shows Kim looking into a cooking pot.

Another is a portrait of Kim Jong Il staring at paperwork on his desk, a cigarette burning in his hand. The night sky dominates the view from the window at his side. The canvas is called “The Endlessly Burning Light of the Party Center.”

All paintings with the Kims are carefully arranged in deep niches and protectively cordoned off with red rope. None of the artworks in the exhibit bears any comment about the nature of the North Korean regime — the main point contested by the critics of the show.

But MAK’s director, Peter Noever, appears unfazed by any debate surrounding the exhibit.

“I am neither a politician nor a political scientist. And besides, everybody knows what sort of a regime that is; we don’t have to explain this to anyone,” Noever said, sipping coffee in his office on the same floor as the North Korean artworks.

Such a display, the museum director said, offers a unique glimpse into the character, the mentality and the culture of a nation.

Along with portrayals of smiling, neatly dressed citizens, children with rosy cheeks under baby blue skies and happy peasants toiling amid stunning scenery, there are brightly colored prints in a style reminiscent of the Soviet poster tradition. The North Korean ones transmit messages — complete with exclamation marks — such as “Utmost efficiency in the use of electricity!”, “Spare every drop of water!” and “Even more consumer goods for the people!”

MAK officials said it is the first time the Korean Art Gallery has sent such a significant collection of work — dating from the 1960s to 2010 — abroad.

In North Korea, “art assumes a social function and is subordinate to the revolutionary process,” organizers of the Viennese exhibit said in a news release. North Korean artists are all members of state artist associations and have regular working hours. They receive a monthly salary for producing a certain number of works that “communicate the correct attitude, behaviors, morality and values.”

And their work has apparently become a profitable export that is able to skirt North Korea’s international isolation, helping to bring cash back home.

Ardent collectors can travel to the country to shop for art, said Rudiger Frank, professor of East Asian Economy and Society at the University of Vienna. Or works can be acquired at specialized galleries in more easily accessible locations, such as Beijing. Art can even be ordered directly from North Korean artists or the associations they work for.

Mansudae Overseas Project Group of Companies — the largest such association and the main center of production for North Korean art — was founded in 1959 and employs about 4,000 people, including about 1,000 artists working in all media.

Noever said his counterparts in Pyongyang had no financial demands for lending works to the Vienna exhibition, but arranging the show had its difficulties.

While on a trip to Japan seven years ago, he spontaneously decided to visit North Korea, managing to obtain a permit to enter alone and stay for a week. He went to the national art gallery in Pyongyang and met its manager, who showed him artworks that Noever decided had to be seen by a wider audience.

Persuading North Korean authorities, however, was not easy.

“They were surprised and did not understand at first why we would want such an exhibition,” Noever said. “It was a long back-and-forth affair. We had to wrestle with them because they had totally different, very academic ideas about what should go on display.”

He has had the chance to visit some of the artists’ workshops and said he was impressed by the decent working conditions, although he doubts that all North Korean artists have such good jobs.

After all his effort, Noever believes that bringing the North Korean artworks to Vienna was a coup. Frank too is convinced that having them in Austria is a good thing.

“One quickly forgets that North Korea is not only about nuclear weapons and its regime. The exhibition helps people think about what more is there; it brings up questions,” Frank said.

UPDATE 2: The BBC offers coverage of the art show. See it here. 

UPDATE 1:  Daylife offers some pictures of the exhibit: Photo 1, Photo 2, Photo 3, Photo 4, Photo 5, Photo 6, Photo 7, Photo 8.

ORIGINAL POST: According to the AFP:

Portraits never seen outside North Korea of leader Kim Jong-Il and his late father Kim Il-Sung go on display in Vienna on Wednesday alongside dozens of propaganda posters produced by the secretive nuclear state.

The exhibition, entitled “Flowers for Kim Il Sung” also includes a model of the capital Pyongyang’s landmark Juche Tower and architectural drawings and photographs.

The 16 portraits of Kim and his father, the founder of North Korea, are being exhibited for the first time abroad, according to museum officials.

The pair are the subject of an all-embracing personality cult in North Korea.

Kim Il-Sung was declared president for eternity after he died of a heart attack in 1994 at the age of 82. His embalmed body lies in a glass coffin at a palace in Pyongyang.

Kim, 67, who reportedly suffered a stroke in August 2008, is widely thought to have chosen his third son, Jong-Un, to inherit power.

Vienna’s Museum of Applied Arts, or MAK, which prepared the exhibition in cooperation with the Korean Art Gallery in Pyongyang and the Paektusan Academy of Architecture, has been accused by some critics in Austria of supporting the North Korean regime.

But the museum’s director Peter Noever dismissed the suggestion.

“As a museum of art, our job is to display art so that it can be discussed afterwards,” he said.

The exhibition runs until September 5.Read the full story here:
Rare portraits of N.Korea leader revealed
AFP
5/18/2010

Share

North Korea scores with fascinating football film

Tuesday, May 11th, 2010

By Michael Rank

North Korean films are as hard to find as kimchi-flavoured ice cream, so Koryo Tours have done us a big favour by releasing on DVD Centre Forward (film trailer here), a highly watchable and fascinating Pyongyang production from 1978.

It’s the tale of talented novice footballer Cha In-son (Kim Chol), who’s been on the bench for Taesongsan for the last three years, but finally makes the team. Not everything goes well at first, and he’s forced to leave the field injured in his first match. But he sticks at it, and strongly supports the coach’s tough new training regime, unlike his complacent best friend and teammate, Chol-gyu, who thinks it’s unnecessary for such a successful team. Chol-gyu (Choi Chang-su) tries to distract him with drinking sessions, but In-son will have none of this, and eventually everyone’s won over to the coach’s demanding regime and Taesongsan ultimately win the North Korean equivalent of the Premiership.

The film, co-directed by Pak Chang-song and Kim Kil-in, is well paced (and only 70 minutes long) and the black and white camerawork is fluent and confident.

There’s a strong political message, inevitably. “Oh, we are the sports soldiers of the leader/ Let us glorify the honour of the motherland…,” goes the splendidly rousing theme song, and to underline the point, the coach reminds In-son, “The Fatherly Leader taught us that we should train harder to win every single game and we should turn our country into a great sporting nation. But we’re still not sweating enough, that’s why our football isn’t getting any better and we’re failing to achieve the teachings of the Fatherly Leader who taught us to make the country a kingdom of sport.”

On a less overtly political level the role of the women in the film is fascinating. In-son doesn’t seem to have a girlfriend, and the love interest, as it were, is provided by his pretty sister,  Myong-suk. She is the star member of a dance troupe and her hard work and dedication is an inspiration for her brother, while she is just as devoted to him, going off to talk to the coach about his prospects when he is feeling despondent. And she takes time off from her dancing duties to iron her brother’s clothes, while his mother washes them for him as he rests, exhausted.

There’s some wry comedy in the relationship between In-son’s mother and best friend Chol-gyu’s grandmother. After her grandson’s string of successes on the pitch, she feels right at home in the world of football and knows all the jargon, and she’s apt to be a bit condescending to In-son’s mum to whom she has to explain terms like “left back” and “having an off day”.

There’s a bit of melodrama when In-son is concussed during a match – don’t worry, he makes a miraculous recovery – and his mother who is watching the game on television wants to rush to the stadium to be with her son. But then she realises she can’t face seeing In-son apparently seriously injured, and Chol-gyu’s granny tells her, “You’re not ready to be a footballer’s mother yet.”

Interestingly, neither In-son or his friend seem to have fathers, and this emphasis on mother figures seems to underline what Brian Myers says in his excellent book The Cleanest Race (Order here) about the roles of mothers and motherliness in North Korean politics and society.

This is the perfect film to see ahead of the World Cup in South Africa next month, in which North Korea have qualified for only the second time ever. Not for nothing has Centre Forward been hailed as “the best North Korean-themed football movie of all time” and there’s no doubt that the Choson Art Film Studio is a truly worthy winner of the Kim Il-sung medal and the National medal, first class.

Share

DPRK art troup performs in Beijing

Saturday, May 1st, 2010

According to Yonhap:

A North Korean remake of the Chinese opera A Dream of Red Mansions will premiere in Beijing next month, a Chinese-language daily reported Thursday.

The Hong Kong-based Takungpao said the staging of the Chinese classic of the same title, also known as “Hong Lou Meng,” by North Korea’s national Phibada (Sea of Blood) Opera Troupe will be staged in the Chinese capital city from next Thursday through Sunday.

A Dream of Red Mansions is a masterpiece of Chinese vernacular literature, written between 1749 and 1759. It is one of China’s Four Great Classical Novels.

The North Korean version of the opera reportedly debuted in the North last year as part of celebrations marking 60 years of diplomatic relations between the two allies.

North Korean leader Kim Jong-il was reported to have been directly involved in updating the 1961 version created by his father and the regime’s founder, Kim Il-Sung. Former Chinese leader Deng Xiaoping and other Chinese leaders watched the original version of the North Korean performance, newspaper reports from that era show.

The North’s Korean Central News Agency (KCNA) reported last October the North Korean leader and Chinese Premier Wen Jiabao watched the Chinese opera remade by North Korean artists at the Pyongyang Grand Theater, during the latter’s visit to North Korea. China’s Ministry of Culture donated costumes for North Korean artists involved in A Dream of Red Mansions.

The Takungpao report said more than 200 North Korean performers will visit Beijing for the staging of the opera, the largest foreign theatrical company to visit China in recent years.

The newspaper said that the leading and supporting actors are well-known stars in North Korea, most of them educated at the Pyongyang Kim Won Gyun Conservatory (Satellite image here), a higher educational institution for music named after a North Korean composer.

Kim Il-hwang, who stars as the protagonist Jia Baoyu, is the grandson of Kim Jong-hwa, who also played the protagonist in the 1961 version, according to Takungpao.

Read the full story here:
N. Korean version of classic Chinese opera to premiere in Beijing
Yonhap
Kim Young-gyo
4/29/2010

Share

DPRK art on display in Vienna this summer

Sunday, April 11th, 2010

(h/t Werner) According to a reader the MAK Museum Vienna (Museum of Applied Arts, Museum of Contemporary Arts) will hold from May 9-September 5, 2010 a special exhibition of North Korean paintings, posters, and architecture in collaboration with the National Gallery in Pyongyang (located here-satellite image).

According to the MAK Museum:

FLOWERS FOR KIM IL SUNG
Art and architecture from the Democratic People’s Republic of Korea
19.05.2010 – 05.09.2010

Through large format paintings and contemporary positions in the areas of film, poster art, and architecture, the exhibition offers insight into the art production of the Democratic People’s Republic of Korea. In collaboration with the National Gallery in Pyongyang, MAK has put together a comprehensive show offering the first presentation of the gallery’s original works in a foreign museum.

For several months, visitors to MAK will have the opportunity to gain, in a world premiere, an impression of the culture of the Democratic People‘s Republic of Korea (DPRK). which has been isolated since its founding in 1948. Already in the past, MAK has offered insight into worlds beyond Western art and architecture movements with exhibitions, such as “Art and Revolution. Russian and Soviet Art 1919–1932” (1988), “The Tyranny of the Beautiful: Architecture in the Time of Stalin” (1994), “Architecture Again. The Havana Project” (1997), and “Cine Art. Indian Poster Painters at the MAK” (1999). After years of intense effort, it has been possible to arrange a collaboration with the National Gallery in Pyongyang that aims to present the officially recognized art of the Democratic People’s Republic, in context, and make transparent the development of art within the nation’s political framework. The paintings from the National Gallery, many of which present idealized everyday scenes, are able to offer revealing insight into this country’s largely unknown culture.

A majority of the work is comparable with Soviet Realism. Formally, the artists fall back on stylistic means from Realism and Romanticism: motifs from the working world and the revolutionary struggle are depicted in an academic painterly style, mediating a picture of the ideal world and showing new hero figures: workers, airplane crews and pilots are commonly the protagonists doing the “glorious and good.”

The exhibition will also document with photos, original designs, and models, the special architectural development of Pyongyang, which was entirely destroyed during the Korean War (1950–1953). The model of the Juche Tower, landmark of the city, is hereby attributed special significance. In the Democratic People‘s Republic of Korea, the fine arts developed in a special way under the rule of State founder President Kim Il Sung and his son and successor President Kim Jong Il.

Taking recourse to historical role models, President Kim developed the “Juche” ideology, which postulates the concept of independence as the ideal view of the world. In art, promoted along with portraits and scenes showing heads of state, are primarily motifs displaying the country and life in the Democratic People‘s Republic of Korea in their most positive forms.

Curator Christiane Bauermeister
Consultant curator
Christiane Bauermeister
Project coordination
Dunja Gottweis

A catalogue will be published in conjunction with the exhibition.

Guided tours
Sat, Sun 4.00 p.m.
Continuous information service and short tours: Sat 2.00-4.00 p.m.

Special guided tours by advance booking: Gabriele Fabiankowitsch, phone (+43-1) 711 36-298, e-mail: [email protected]

Share

DPRK has e-books

Sunday, April 11th, 2010

According to the Korea Times:

North Korea, the planet’s deepest information void, appears to be dabbling with electronic books (e-books), a South Korean activist claimed Thursday.

It’s questionable how much an ecosystem for e-books would be relevant to readers living in perhaps the most censored country in the world.

But according to Free North Korea Radio’s Kim Seong-min, North Koreans have choices beyond government propaganda books to read on their computers, including translations of Western classics such as Shakespeare’s plays, “The Iliad,” “Don Quixote,” “ Jane Eyre,” “ Les Miserables” and even “Gone With The Wind.”

“North Korea will have less complications surrounding copyright issues compared to the South, and with the government pushing the project directly, the country seems to have acquired a wealth of e-book content over a relatively short period of time,” Kim told Yonhap News.

Kim revealed “Electronic Library Mirae (Future) 2.0,” North Korea’s e-book computer program he claimed to have acquired from one of his foreign sources.

When run on Microsoft Windows, Mirae 2.0 opens a page that resembles a conventional library search site, and provides access to the electronic versions of about 1,500 books and 350,000 kinds of other documents.

The books include a wealth of non-fictions work, mostly on political theories and history, but also a variety of literature, song collections, and educational content such as dictionaries and books of facts.

The e-book collection of literature contains some contemporary North Korean work that hasn’t been previously introduced to the South, Kim said.

Users of Mirae 2.0 can search for e-books by title or content.

They can even use its voice recognition system by clicking the “read” tab at the top of the screen, with the computer responding with a recorded female voice that seems “natural” by North Korean standards, Kim said.

Read the full article here:
North Korea has electronic books
Korea Times
Kim Tong-hyung
2/8/2010

Share

Friday Fun: Centre Forward and Mass Games photos

Friday, March 26th, 2010

Koryo Tours is distributing the North Korean film Centre Forward–a film which “critics are already hailing as the best North Korean-themed football movie of all time”.

centre-forward.jpg

See the trailer you YouTube here.

See the trailer on Youku (PR China) here.

You can order the film directly from Koryo Tours by email: [email protected]

Also, photographer Werner Kranwetvogel worked with Nick Bonner to produce high quality photography of the Mass Games:

mass-games-photos.jpg

See more about his work here.

Share

North Korean comics II

Thursday, March 4th, 2010

UPDATE 1 (2011-6-21): Slate covers Prof. Fenkl’s collection

ORIGINAL POST (2010-3-4): Taking a page from the Brian Myers playbook, Heinz Insu Fenkl, a literature professor at the State University of New York, produces English translations of hard-to-find North Korean Comic Books (“Gruim-chaek”).

According to Reuters blog:

Heinz Insu Fenkl, a literature professor at the State University of New York (SUNY) at New Paltz, has cracked one secret to understanding the bizarre regime of North Korea: by reading its comic books.

The academic, who refers to himself as an American-Korean, spends hours in his office tucked away in upstate New York, churning out English translations of the rare books (called “gruim-chaek” in North Korea) after he gathers them at shops in China and from colleagues who travel to Pyongyang.

The plots are often wacky, usually pinning blame on loud-mouthed Americans and opportunist Japanese for cursing their promised land with vice. Most books are leaked to China through the border town of Dandong — a hub of smuggling in North Korean goods. Others end up in a single shop in Tokyo that specializes in hermit-state memorabilia. Still, others mysteriously make their way to university libraries in the U.S.

Of the “gruim-chaek” I’ve located, those published this decade tend to be spy thrillers probably aimed at young boys and teenagers. The cartoonists establish the storylines strictly as moralistic good-versus-evil tales. And almost all the books are printed in black-and-white on poor quality paper.

“I’ve also seen some covers of more recent comics that seem to be re-establishing a mythic narrative by referring back to old folktales,” Fenkl said, adding that he’s planning a single massive web archive for all his North Korean comic books.

The books are also designed to instill the father of North Korea, Kim Il-sung’s, philosophy of Juche — radical self-reliance of the state, added Nick Bonner, founder of Koryo Tours, an English-language tour company in Beijing that takes visitors to North Korea several times each year.

“They’re much like the themes I read when I was a kid, on the British Army fighting the ‘Nazis and Japs,’” Bonner reflected, pointing out that some propaganda plots nonetheless resemble our own. “But [in North Korea] their themes are either historic or based on the Anti-Japanese Guerilla War, or the Victorious Fatherland Liberation War [the North Korean name for the Korean War in 1950-53].”

In “A Blizzard in the Jungle,” published in 2001, a group of Americans and North Koreans traveling on an airplane crash in an unnamed African country. When they’re stranded in the jungle, the Americans selfishly split ways with their North Korean colleagues, only to be devoured by alligators in a nearby river.

Let it be a warning from the Dear Leader: never embrace the self-indulging lifestyle of the American warmongers.

The fact that North Koreans were writing politically charged comic books set in Africa comes as no surprise, Fenkl said. Quite a few North Koreans live as expatriates on that continent: for years, North Korea has sent military advisers to Angola, Zimbabwe, Zambia, Ethiopia and Uganda to supply weapons and train soldiers in exchange for mineral concessions.

Strangely, one character onboard the crashed airplane is named Zacharias — possibly an allusion to Zacarias Moussaoui, a mastermind of the Sept. 11, 2001, attacks on the Twin Towers. “A Blizzard in the Jungle” was published in that same year, though Fenkl concedes this is probably a coincidence.

Other comic books directly point fingers at American leaders, rather than only bashing capitalism.

In a similar storyline from 2005 called “General Loser and the Gnats,” Americans who go by the last name “Bush” find themselves disgraced by their president’s policies. They change their names and confide in the revolutionary cause. (I have not yet found satires on Barack Obama out of the hermit state.)

North Korea’s comic craze is nothing new. For decades, the communist regime has distributed books to elementary school students.

One of North Korea’s most famous comic books aimed at children is “The Great General Mighty Wing,” an epic narrative published by a state-run press in 1994.

Mighty Wing the honeybee confronts a horde of imperialist wasps — cunningly dressed like Japanese soldiers from World War II — trying to invade his land. After the wasps lay dead, he quickly rallies his enthusiastic colony into a workers’ collective.

By working together, they build an extensive irrigation canal that flows abundantly to all the bees — not just the powerful wasps.

Concerned about a drought and famine that would eventually kill about 600,000 people, North Korea at the time was looking for ways purvey water to its people. The regime was constructing a large irrigation canal at the same time Mighty Wing became a sensation.

“Mighty Wing, in some ways, was an iconic image,” Fenkl said. “It was a brilliant move to use bees, or beol, as a symbol to resonate with the historical irrigation project, the Yeoldu 3,000 Ri Beol.”

“The books were in color, unlike most comics,” he added, pointing out the importance the regime might have placed on this cartoon.

Mighty Wing gained fame in North Korea at the same level of Mickey Mouse in the West, thanks to the national fears the artists touched on. Kim Il-sung had died that same year — and many North Koreans were secretly uncertain about what would come next.

In his research, Fenkl recently noticed one anomaly: the “gruim-chaek” that reaches the international black market usually differs from those intended for a North Korean audience.

It appears that the editors “step in,” he said, imputing the black-market comics with less ideological content. This could mean they are purposely sending the comics across the sealed Chinese border to expand their readership.

“I will have to look into it before I come to any conclusions. ‘The Crystal Key,’ for example, is pretty indistinguishable from a non-ideological comic book,” he reflected, referring to another famous book published in 1992. “[With the ideological content taken out] it would be an internationally accessible graphic novel about pirates and a virtuous family protecting their community.”

Mr. Fenkel’s web page is here.

Here are excerpts from some of the comics he has translated:

1. Great General Mighty Wing

2. The Chrystal Key

3. Blizzard in the Jungle: Part 1, Part 2, Part 3.

4. Here are some other covers.

5. Here are images of some other DPRK comics

Share

DPRK holds national meeting of agricultural workers

Thursday, March 4th, 2010

Institute for Far Eastern Studies (IFES)
NK Brief No. 10-3-4-1
3/4/2010

As the failure of North Korea’s currency reform drives the country’s food woes to even greater depths, DPRK authorities and farmers from around the country met on February 25 for two days of meetings under the theme, “Let’s Focus All Efforts on Farming and Resolve the Food Problem!”

It has been four years since North Korean authorities called for a nationwide meeting of agricultural workers, with the last meeting in February 2006. From 1974 to 1994, meetings were held annually in January or February, when farmers had a chance to rest between the fall harvest and the spring planting season. However, after the famine in 1995, in which millions starved to death, no meetings were held for twelve years.

This year’s New Year’s Joint Editorial called for North Koreans to revolutionize the light industrial and agricultural sectors in order to improve the lives of the people, and for them to struggle to resolve the country’s ‘eating issues’. However, in the aftermath of last December’s failed currency reform, the North’s food problems actually worsened to the point that people are starving to death. This led authorities to hold a nationwide agricultural meeting in order to show their determination to focus efforts on resolving food shortages and to encourage farmers and other residents to focus on agriculture.

According to the (North) Korean Central News Agency (KCNA), the meetings were attended by “[Cabinet Premier] Kim Young Il, [National Defense Commission Vice-Chairman] Ri Yong Mu, and [Supreme People’s Assembly Chairman] Choe Tae Bok, leading officials of ministries and national institutions, party and people”s committees and agricultural guidance organs in provinces, cities and counties, officials of farm primary organizations, model farmers, scientists and technicians in the field of agriculture and officials of relevant industrial establishments.”

Vice-Premier Kwak Pom Gi presented a report, stressing, “On the agricultural front this year, marking the 65th anniversary of the founding of the Party, we must decisively ease the country’s food issue, [and] the people’s eating issue, charging forward with the improvement of the lives of the people and the construction of a strong and prosperous nation.” He also called for assistance to agricultural communities and related sectors, and for the prioritization of agricultural goods and materials.

According to a source in North Korea reporting to the South Korean organization Good Friends, deaths due to starvation in South Hamgyong Province’s Danchon city and South Pyongan Province’s Pyongsong city were reported to central Party authorities. This led to meetings on January 27 and February 1 of central Party members, cabinet officials and People’s Security authorities at which emergency measures to stave off famine were discussed.

Results of a survey of living conditions in Danchon and North Hamgyong Province’s Chongjin reported to central Party authorities revealed many deaths due to starvation, while currently, the most deaths due to lack of food appear to be occurring in South Pyongan Province’s Sunchon and Pyongsong cities. Last year, Party authorities in these cities turned over approximately 65 percent of harvests to the military, while farmers were only issued, on average, five months worth of rations.

Share

Friday Fun

Thursday, February 4th, 2010

1. Alejandro Cao de Benos, head of the Korean Friendship Association,  did an interview for an Italian publication (Page 1, Page 2).  Josh is posting a translation: part 1, part 2, part 3, part 4.

2. Flower of Reunification: North Korean propaganda film about Im Suk Yong.  Lots of great footage of the 1989 World Festival of Youth and Students in Pyongyang.  Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7.

3. North Korea has launched a new propaganda campaign aiming to increase living standards.  See the new paintings in the Choson Ilbo here.

 4. Ice skating: Pyongyang might have the DPRK’s only indoor ice skating rink (as far as I know), but ice skating–particularly on frozen rivers and lakes–seems to be pretty popular in the DPRK.  Scenes like the one below (Hyangsan) can be easily found in North Korea on Google Earth:

hyangsan-ice-skating.JPG

5. Reunification fruit.

6. According to Google’s international dailing chart, North Korea and Cuba are the most expensive places to call!

7. North East Asia Matters posts interview with former member of KJI pleasure squad.

Share