North Korean Economy Watch

Pictured above (Google Earth): The Mansudae Art Studio in Pyongyang. The blue roofs indicate that most of the buildings have recently been renovated. See the studio in Google Maps here.

According to Yonhap:

Seoul police said Wednesday that they have booked an ethnic Korean woman from China for allegedly smuggling North Korean paintings into South Korea, selling them to local consumers and sending some of the profits to the North.

The 46-year-old woman, surnamed Kim, was accused of bringing in about 1,300 paintings by some well-known North Korean artists in violation of a law regulating the flow of goods between the two Koreas, the Seoul Metropolitan Police Agency said.

Police also booked three others for allegedly helping Kim peddle the smuggled artworks.

Kim is suspected of smuggling in 1,308 artworks, mostly landscape paintings created by North Korean artists, between May last year and July this year, and pocketing 30 million won (US$27,943) after selling 1,139 of them to local galleries and over the Internet, police said.

Police said the North Korean artists include some famous names who were authorized by the Pyongyang regime and affiliated with the communist country’s top-notch Mansudae art community widely known to be peddling artwork overseas as a means of earning foreign currency.

Kim is believed to have obtained those paintings through her North Korean husband living in China who uses his membership in an expatriates’ support committee in North Korea to secure his supply, police said.

Kim’s husband is believed to have clinched the supply of artwork on the condition that he pays $8,000 won annually on top of half the sales proceeds to the art community, according to the police.

“It is the first case ever to confirm that North Korea is selling (artwork) abroad through the committee,” a police official said.

Police said that the artwork, smuggled personally or through international mail, was mostly sold to art galleries in Incheon, Daejeon and Gwangju for prices ranging from 30,000 won to 1 million won per unit.

Police said they plan to expand the investigation as more North Korean goods could be smuggled into the country.

The Atlantic also has a good blog post on the whole saga.

UPDATE 4 (2011-9-9): The statue appears to no longer be under wraps.  It was covered up apparently to protect it from nearby construction debris. Read more here.

UPDATE 3 (2011-6-30): According to images on display at the 2011 Pyongyang Architecture Exhibition, the Mansudae Grand Monument appears to keep its basic structure after the renovations are completed.  So this raises the question of what exactly they are doing to the statue…

Pictured above are architectural  and satellite imagery of Pyongyang’s  Mansudae area, currently under renovation.

UPDATE 2 (2011-6-8): According to the Pyongyang Times, the North Koreans are building “a monumental structure in the area in central Pyongyang where the statue of President Kim Il Sung stands”.

UPDATE 1 (2011-6-5): We have some pictures of the monument renovation:

Pictured above we can see a recent photo of the Kim Il-sung statue at the Mansudae Grand Monument.  It is covered in a white sheet (or plaster?).  There is some scaffolding around the lower half of the statue and a crane overhead.

The surrounding neighborhood is also being renovated.

ORIGINAL POST (2011-6-1):

Pictured above (Google Earth): The Kim Il-sung statue on Mansu Hill, Pyongyang

A recent visitor to the DPRK emailed me to say that the Mansudae Grand Monument has been covered up and will be closed to visitors until next March.  It appears they are renovating the national icon for Kim Il-sung’s 100th birthday next year.

I am unsure if just the Kim Il-sung statue is covered or if the entire monument is under wraps.

An undertaking this prestigious would have to be approved at “the highest level”.

Construction of the Tower of the Juche Idea was similarly shrouded in secrecy until it was unveiled to Kim Il-sung in 1982 to commemorate his 70th birthday.

Projects like this are conducted by a special division of the Mansudae Art Studio located in Phyongchon District, Pyongyang.

The Pyongyang residential neighborhood to the south of the monument is also being renovated.

If you plan on visiting the DPRK in the near future, please try and get a picture!

UPDATE 2 (2011-5-12): Zanu-PF has decided to re-erect the Nkomo statue.  According to the Zimdiaspora:

The controversial statue of the late vice president Joshua Mqabuko Nyongolo Nkomo will be re-erected in Bulawayo’s city centre after Zanu PF bigwigs agreed to put up the giant North Korean designed effigy.

Zanu PF officials said President Robert Mugabe appointed Environment Minister Francis Nhema who is Nkomo’s son-in-law to be in charge of the raising of statue along Main Street.

The statue was removed last year following widespread outcry by the Nkomo family but latest details show that the family has backtracked following Nhema’s persuasion. The soft-spoken Nhema is married to Louise Sehlule, one of the late nationalist’s daughters.

In the past two months, sources said Nhema, who chairs the Joshua Nkomo Foundation, has been making frequent visits to Bulawayo where he also met senior politicians to lobby for the re-erection of the statue, which drew anger from the Nkomo and Bulawayo community because it was made in North Korea—a country known for training the notorious 5th Brigade soldiers who killed over 20 000 civilians, raping 60,000 women.

Nhema met vice president John Nkomo, politburo members, Joshua Malinga, Eunice Sandi and Angeline Masuku as he drummed up support for the statue to be re-erected.

After the uprooting of the statue, it was later agreed that it would be put at the Joshua Mqabuko Nkomo airport on the outskirts of Bulawayo but there were reservations that the public would not be able to view it since it will be kilometers away.

“It’s a matter of time before the statue is put back along Main Street. Zanu PF doesn’t want to be seen as failures by conceding to pressure from the Nkomo family and the people of Matabeleland,” said a top Zanu PF official.

The latest revelation to re-erect the statue comes against a backdrop of efforts by former Zipra commanders to block the move, saying Mugabe, 87, should first return Zipra buildings to its rightful owners. Some of the buildings include Magnet House, which houses the dreaded CIOs in Bulawayo.

Although Nhema was not answering his mobile phone Thursday, a politburo meeting Wednesday vowed that the statue would be erected again.

UPDATE 1 (2011-1-23): The statue was mentioned in this New York Times article

ORIGINAL  POST (2010-9-17): According to MonstersandCritics.com:

Public anger over a decision to allow a North Korean firm to make a statue of a Zimbabwean freedom fighter resulted in government plans to take it down before its unveiling, according to reports Thursday.

The three-metre bronze statue of Joshua Nkomo had been under threat by the family of the deceased leader of the Ndebele ethnic group. They had vowed to tear it down, angered that the Zimbabwean subsidiary of a North Korean company had created it.

In the mid-1980s, North Korean military instructors, invited by President Robert Mugabe, trained a brigade that went on to kill thousands of Ndebele citizens during a low-intensity insurgency.

‘It was highly insensitive of the government to have hired the North Koreans to produce the statue without consulting Nkomo’s family or the people of Matabeleland,’ said political analyst Grace Mutandwa. ‘Let’s just say the North Koreans are not the Ndebele’s favourite people.’

After its completion, the statue remained covered by a black cloth on a plinth until Home Affairs Minister Kembo Mohadi removed the shroud Wednesday, announcing plans to dismantle it ‘with immediate effect.’

Originally, Mugabe had planned to participate in a public unveiling of the statue.

In the 1960s, Nkomo became the first national leader of the fight by blacks against the white minority government of Ian Smith. He led a rival faction to Mugabe’s in the 1970s before independence in 1980 and Mugabe’s election as prime minister.

Shortly after, Mugabe accused Nkomo and his ZAPU party of being behind an insurgency and launched a crackdown in western Zimbabwe, in which thousands of civilians were killed or disappeared. Nkomo died of prostate cancer in 1999, aged 82.

This is not the first time this year the Ndebele have protested over North Korea’s relations with Zimbabwe.

The North Korean national football team had been due to train in Bulawayo before the World Cup in neighbouring South Africa in June and July, but the visit was called off after Ndebele groups vowed to disrupt their training.

And according to Zimeye:

[A] statue of the late Vice President Joshua Nkomo was unveiled on Wednesday, but a minister said it would be immediately pulled down “following objections by his family and the Bulawayo community”.

A family spokesman said the statue, mounted at the intersection of Main Street and 8th Avenue was “small and pitiful”.

Home Affairs Minister Kembo Mohadi met Nkomo’s family for four hours on Tuesday as he unsuccessfully tried to reach an agreement on the three-metre-tall bronze statue which was erected over a month ago, and remained covered in a black cloth until Wednesday.

The meeting in Harare was also attended by Vice President John Nkomo, a relative of the late nationalist leader who died in July, 1999. Mohadi revealed John Nkomo was joined in the objections with the rest of the family.

Mohadi, who attended Wednesday’s unceremonious unveiling, said: “I have come here with bad news … to tell you that we will pull down and dismantle this statue with immediate effect.

“From the day when this statue was erected, the family objected and we have been receiving calls as to when the statue will be dismantled.

“We made extensive consultations and apparently Vice President John Nkomo shares the same sentiments with them, and as such we are complying with the wishes of the Nkomo family to remove the statue.”

Mohadi has refused to say where the statue was made and at what cost, although some reports say it was cast by a North Korean artist. It will be removed to the National Museum.

A senior government source revealed Mohadi had spoken to President Robert Mugabe after the tense meeting with Nkomo’s family.

“The President told Mohadi to ‘leave them (Nkomo’s family)’. He also said he was disappointed with John Nkomo for failing to take a principled stand,” the source said.

Mohadi, whose ministry commissioned two statues – the other designated for Harare – appeared to take the failure to get the statue to stand in Bulawayo personally.

He said: “It is unfair to myself and the ministry because we thought this was a government project that we initiated in honour of Dr Nkomo, but because the family objects to it we find it proper to concede to their plea and have no option but to abandon the project.

“With me, it is the end of the project indefinitely and I do not think we will do anything about it. The budget on it has been wasted.”

Mohadi disclosed contents of an August 31 letter he received from Nkomo’s daughter Thandiwe outlining 11 points of objection.

The family said there was no consultation on the final prototype, characteristics, and proposed locations of the statue.

“The statue itself is very small and pitiful, hardly a street statue at all nor the landmark and monument that it should be,” the family added.

The design of the statue said nothing about Nkomo and his historical legacy, the letter went on, and the size and colour of the 1,2 metre pedestal it was installed on “does not match the lofty stature of the late Father Zimbabwe.”

The family said it was not objecting to the principle of immortalising Nkomo with a statue, but wanted adequate consultations before work on a new one commenced. The family also wants the statue installed at the Joshua Mqabuko Nkomo International Airport in Bulawayo.

The planned erection of a second statue in Harare — already mired in legal troubles — now appears unlikely to go ahead. The owners of the Karigamombe Centre, the proposed site of the statue, have obtained a court order stopping the erection.

This story was eventually picked up by the Associated Press on September 29th:

The two North Korean-made statues were meant to honor a national hero but people were so offended because of Pyongyang’s links to a blood-soaked chapter of Zimbabwe’s history that one was taken down almost immediately and the other has not been erected.

Besides, at least one of them didn’t even resemble Joshua Nkomo, a former guerrilla leader known as “Father Zimbabwe” who died in 1999 at the age of 82.

That the statues were designed and made by North Koreans is an affront to Zimbabweans who blame North Korean-trained troops loyal to President Robert Mugabe for massacring thousands of civilians as the government tried to crush an uprising led by Nkomo in the 1980s. The uprising ended when Nkomo signed a unity pact in 1987 and became a vice president.

No offense was intended by the choice of North Korea to make the statues, Godfrey Mahachi, head of the state National Museums and Monuments, told The Associated Press. He said North Korea was chosen simply because it won the bid for the work, promising favorable prices.

One of the Nkomo statues was erected briefly last month in Bulawayo, Zimbabwe’s second-biggest city, on the site where a statue of British colonial era leader Cecil John Rhodes once stood. Nkomo’s family called his statue artistically “ineffectual.”

While there were no organized protests, criticisms were widespread before the unveiling. Nkomo’s relatives were quoted in newspapers complaining that they had not been consulted. Simon Dube, a Bulawayo businessman, said the Nkomo statue was shrouded under a black cloth under police guard. Dube, who glimpsed it, said the statue’s head was too small for Nkomo’s famously heavy and imposing build.

Organizers kept the police on hand during the unveiling ceremony and took the statue down within hours.

The other statue was to have been placed in the capital, Harare, outside an office tower known as Karigamombe, which in the local Shona language means “taking the bull by the horns and slaying it.” Some saw that as adding insult to injury: the symbol of Nkomo’s Zimbabwe African People’s Union party and his former guerrilla army was a rampaging bull.

Home Affairs Minister Kembo Mohadi said that despite the kerfuffle, the North Koreans have been paid their $600,000 for the two statues, state media reported.

Mahachi said officials are considering where else to put the two 3-meter (10 foot) statues.

“We still have to look at different options. They might go to museums, but that will be discussed to reach a final decision,” he said.

The Bulawayo statue is for the time being kept at the Bulawayo Natural History Museum, where the deposed statue of Rhodes is also kept.

Nkomo spent his adult life fighting colonialism and was also imprisoned for a decade for his political activism against white rule in Rhodesia, as Zimbabwe was previously called. “Father Zimbabwe” spearheaded black nationalist resistance to white rule well before Mugabe came on the scene. Nkomo’s image has appeared on postage stamps and the Bulawayo international airport has been named after him.

Lankov writes in the Korea Times:

When North Koreans talk about their arts, they never fail to mention that it follows the traditions of “socialist realism.” But what is “socialist realism” in visual arts?

This style itself was invented in the Soviet Union of the 1930s and reached its height in the late 1940s when it was imported to the North by ethnic Korean Soviet painters (of whom Pak Wol-ryong was probably most prominent) and Korean students who studied in the USSR.

Most of our readers have some ideas about this style: photographic-like images of heroic workers, brave soldiers and wise leaders engaged in the socialist construction or in struggle against the scheming counter-revolutionaries, imperialists and other assorted villains (the villains appearing as ugly as their reactionary thoughts). In its North Korean variety, the style became even more syrupy, with soldiers’ uniforms in the trenches depicted as if freshly ironed and spotlessly clean.

The topics must be lofty and politically inspiring. In February 2007 North Korean artists had a major exhibition which presented some 500 works. The KCNA, the North Korean wire agency explained what was great about this triumph of creativity and artistic freedom (I use the original translation, helpfully provided by Pyongyang propagandists):

“The works truthfully depicted the revolutionary exploits of the three generals of Mt. Paektu (The ‘Three Generals’ being Kim Jong-il, his father and his mother) and their personality as peerlessly great persons and the national pride and honor of the army and people of the DPRK who hold Kim Jong-il in high esteem as their benevolent father.

Among the works are Korean painting ‘Frontline at night,’ oil painting ‘All 30 millions of people should be ready to fight’ and sculpture ‘Always believing in the people,’ which arouse viewers’ deep reverence and longing for President Kim Il-sung. There are also Korean paintings ‘Calling them proud scenes of the Army-first era,’ ‘I miss my soldiers’ and ‘Long journey for happiness’ and oil painting ‘Our General visits land of Samsu’ that vividly portrayed the immortal feats and the noble popular traits of Kim Jong-il who has made a long journey of the Army-first revolution.”

Great works, indeed! Needless to say, not just everybody can deal with such lofty topics. Under the North Korean system, a painter has to obtain a special certificate to have the right to depict the Three Generals (that is, the ruling family). Those who have received the said certificate are known as “number one artists” and the works which depict the Leaders are, as you might guess, also known as “number one works”.

Most of the number one works are produced by the “Mansudae Creative Group” which include about one thousand artists and some 2,700 supporting personnel. It occupies a large complex in Pyongyang. The group’s major task if to produce number one works, but it is also charged with making some art for export, as a way to earn a bit of foreign currency.

Not all North Korean painters are good enough to become number one artists, but in a close imitation of the Soviet model, all North Korean artists are required to join the Artists’ Union which is charged with both supervising and taking care of them. Only members of the Artists’ Union can be engaged in professional work, but this is also an agency which provides them with wages and social security. In the past, until the collapse of the North Korean economy in the 1990s, the painters were reasonably well paid, and painters from the Mansudae group were among the best paid professionals in the country.

There are grades for the artists as well. The best are given the title of “people’s artist” while slightly less prominent are “merited artists”. This echoes the Soviet system, once again. It is estimated that some 50 persons were deemed worthy of the people’s artist title while 300 or so have been recognized as merited artists.

The first recipient of the people’s artist title was Chong Kwan-chol, a graduate of a Japanese arts academy who spent all his life after 1945 depicting the heroic deeds of the anti-Japanese fighters and soldiers fighting the Yankee imperialists.

However, a better look at the most recent works of Pyongyang artists might indicate that something is changing. There is a slight deviation from the old mixture of syrupy romanticism and photography-like realism. Something similar to this could be noticed in the Soviet art of the 1960s when it began to drift away from the old conventions of socialist realism. Is something like this happening in North Korean as well? Who knows? We must wait and see.

Read the full story here:
‘Socialist realism’
Korea Times
Andrei Lankov
2/13/2011

Leonid Petrov writes in the Asia Times:

After two months, an exhibition in Moscow of North Korean graphics, mosaics and embroidery is coming to a close. Oddly entitled “And Water Flows Beneath the Ice”, the exhibition was a major project initiated and hosted by Russian entrepreneurs at the trendy Winzavod Gallery, a revamped wine factory in central-eastern Moscow.

All the pictures came from the Mansudae Art Studio in Pyongyang, a government-run enterprise that employs more than 1,000 artists to create art for export.

The late (and eternal) North Korean president, Kim Il-sung, is known to have once said, “Abstraction in art is death,” leaving no choice for North Korean artists but to embrace socialist realism as their method.

Russians, who still remember when this artistic trend was the only one permitted by the Communist Party, were given a chance to refresh their memory exactly 20 years after the collapse of the Soviet Union. It is no surprise that many felt a sense of familiarity and at times nostalgia for while visiting the unusual exhibition.

During a short trip to Moscow last month, I met with colleagues, Russian scholars and researchers of Korean studies at the exhibition. They came along with their students, and we had a lively discussion about the hidden messages and artistic value of each picture. It was good to share opinions on a contentious topic such as North Korean art, and our feeling converged on many things regarding the commonalities and differences between North Korean and Soviet propaganda art.

First of all, socialist realism in art is a misnomer, since it depicts life as it should be, not as it really is. For instance, in this exhibition, there was an image of chubby children in Pyongyang Zoo feeding monkeys with ice-cream. The abundance of rice, vegetables and rabbits on show in other pictures also seemed a disservice to aid agencies diligently dispatching food and other humanitarian relief to starving North Koreans. In the artwork, life in the Democratic People’s Republic of Korea was consistently depicted as affluent and pleasant.

In fact, North Korea is a revolutionary state, struggling to achieve economic success and advance its military power. This can be viewed and sensed through the canvases dedicated to the heroism of builders working on the Taegyedo Tideland Reclamation Project or soldiers engaged in constructing the Huicheon Dam.

Heroism at war and in peaceful reconstruction is venerated and equated to the revolutionary course of juche (national self-reliance) and songun (military-first) politics. Thus, every picture, embroidery and poster carries a condensed revolutionary message that must convince the viewer that the people of North Korea are determined and invincible. Some may call it propaganda, but in North Korea this genre is known as Chosunhwa (Korean painting).

In fact, there is very little of Korean tradition in Chosunhwa. Although most pictures are created with watercolors and ink, the characters, actions and settings are Stalinist Soviet or Maoist Chinese. Even where the North Korean artists try to be experimental and use such materials as gouache or mosaic, the results resemble the typical posters and murals once omnipresent in the streets of Moscow and Beijing.

Only the embroidery works were genuinely traditional, and most viewers were stunned by their elaborate composition and vibrant range of colors.

After discussing the merit of each exhibit, my expert friends and I agreed that totalitarian societies do produce impressive pieces of art, which inspire awe and overwhelm the target audience.

While the value of such art is transient and more akin to propaganda, the technical side of it is so unquestionably powerful that it deserves recognition and research, if not admiration.

Unfortunately for the North Korean artists and Mansudae Art Studio entrepreneurs, the value of this art is restricted by the willingness of the purchaser to help the juche and songun revolution. Otherwise, mainstream North Korean art, which is dutifully devoid of abstraction, has very limited export value.

That explains the usual commercial difficulties encountered by the North Korean art exhibitions brought overseas by the North Korean Committee for Cultural Relations with Foreign Countries. Among the rare buyers of the socialist kitsch are maverick revolutionary zealots and some rich sympathizers from South Korea.

In Russia and China, former communist patrons of North Korea, the appetite for hackneyed images and themes is dwindling. What leaves the strongest impression from “The Water Flows Beneath the Ice” is not the contrived propaganda on the walls but the artistic installation placed in the middle of the gallery.

Dozens of green combat helmets hanging from the ceiling form perfect lampshades over the scarlet-red carpet hosting a lonely short-legged Korean traditional table. A bowl of white rice on the table symbolizes the prosperity that songun was designed to create and protect. The soft pink light gleaming from each helmet resembles the cherished hope of the Korean people for peace, love and harmony.

The bouquets of colorful firework shots projected on the screen at the end of the gallery hall surmount the composition and instill a sense of triumphant fulfillment. The aim is seemingly to capture the unbending spirit of Koreans (in both the North and South), as well as their hardworking and peace-loving character.

Overall, the “And Water Flows Beneath the Ice” was a bright and memorable phenomenon for the cultural life of the Russian capital. Neither the awkwardness of the premises (conditions in the old liquor factory demanded that all visitors wore clumsy overshoes) nor the overpriced pamphlet (more than US$30) spoiled the positive and inspiring atmosphere.

Although it is commercially and morally questionable as well as kitsch, the unusual initiative has awakened in hardened Russian art-lovers a long-lost belief in fairness and altruism: ideals that are highly valued by Koreans.

Read the full story here:
North Korean art stirs Muscovites
Asia Times
Leonid Petrov
2/2/2011

According to the Choson Ilbo:

The Agostinho Neto Center of Culture is a massive national park that the Angolan government is building on 12,000 sq. m of land in the capital city Luanda in memory of its first president. On Oct. 24, the entrance was firmly shut with a black iron gate. Through barred windows, three or four Asian workers could be seen: they are staff of North Korea’s Mansudae Overseas Project Group of Companies, which earns much-needed foreign currency for the regime from massive construction projects and monumental sculpture in the developing world.

Initially, the Agostinho Neto Center was commissioned to a Brazilian construction company, but work came to a halt until the North Koreans took over at the end of 2007.

The North Korean workers are living together in temporary wooden accommodation in a corner of the construction site. There are reportedly 100 to 120 of them in Angola. North Korea supported independence movements and civil wars of some African countries, and has been involved in some large construction projects there based on the diplomatic ties built this way. The North provided military aid to the side currently in power during the Angolan civil war and is reportedly building other parks and peace monuments in Cabinda and Huambo, one or two hours away by plane from Luanda.

The Daily NK reported North Korea has earned at least US$160 million in construction projects in Africa since 2000. A South Korean resident in Angola said, “Although North Korean workers only get minimum living cost from their government, they make additional money by working on smaller-scale projects locally when they have some spare time waiting for equipment or materials to arrive.”

One North Korean worker said, “When we go to the site for work, we sometimes get Angolan traditional congee called Fungi. It’s delicious. We eat better here than in North Korea because we can get rice from Chinese construction firms.”

In a predominantly black residential area in Luanda, there is a pharmacy run by a North Korean doctor in a shabby one-story building. “I work at a national hospital in the morning, and run this pharmacy privately in the afternoon. This is the only way I can make the ends meet,” he said.

According to a local source, there are about 180 North Korean doctors across Angola, including about a dozen in Luanda. There are also North Korean doctors in Mozambique and Congo, and some practice oriental medicine. At the pharmacy, acupuncture costs $80 for the first treatment and $40 thereafter.

Read the full story here:
N.Koreans Struggle for Hard Currency in Africa
Choson Ilbo
11/20/2010

UPDATE: Google just updated their satellite imagery over Kinshasa.  Now we can see where the statue is located:

ORIGINAL POST: The DPRK’s Mansudae Overseas Development Group has designed and built many buildings and statues across the Middle East, Africa and Asia.  I have been trying to map out these projects on Google Earth.

The most recent project appears to be the statue of Joseph Kasavubu in the DR Congo.  June 30th 2010 was the DRC’s 50th independence day and the statue of its first president was unveiled as part of the celebrations:

Here is a story in French about the unveiling of the new statue.

Using Google Translate, I pulled out the following blurbs:

(June 29, 2010) President Joseph Kabila unveiled Tuesday in Kimpwanza Square in the town of Kasavubu, to the cheers of the people, the monument to the first president of the Democratic Republic of Congo, Joseph Kasavubu.

…

It is a bronze monument of 5 tons, 5.45 meters high.

The story incorrectly notes that the statue was made in South Korea.

I have so far been unable to locate the square where this statue is located.  Help appreciated. A reader called “NKObserver” identifies the location here: 4° 20′ 17.19S 15° 18′ 18.38″E.

Additional information:

1. Here is a set of photos of the statue taken by a visitor.

2. Here is an interesting video clip of a Chinese protest of Kasavubu in 1961 featuring Zhou Enlai.

3. Here are previous posts on the Mansudae Overseas Development Group.  They do not reflect all the projects I have identified, but if you know of any others, please pass the information to me.

First of all, here are the images (from the Daily NK web page):

The Daily NK also offers the following commentary:

A statue of Kim Jong Il has been revealed in a North Korean newspaper obtained by Open Radio for North Korea.

Open Radio managed to obtain a copy of the May 11th, 2010 “Chosun People’s Army,” the North Korean military’s own publication. That day, the publication ran a banner headline, “The greatest privilege and highest honor of the Mt Baekdu revolutionary army.”

“There has been an unveiling ceremony of statues of the ‘Three Mt. Baekdu Generals’ (Kim Il Sung, Kim Jong Il and Kim Jong Suk) dressed in military uniform at the Revolutionary History Museum of the Ministry of the People’s Armed Forces,” the front page article explained.

The report added that Chief of Staff of the Chosun People’s Army Lee Young Ho and First Vice-Director of the General Political Department of the People’s Army Kim Jung Kak took part in the ceremony.

Kim Jung Kak emphasized in his speech at the ceremony that the statue of Kim Jong Il is the first dressed in military attire, claiming, “It is the luckiest and most honorable thing in the world for the Chosun People’s Army to have this, the first statue of its highest commander dressed in military uniform.”

On the subject of the relative lack of Kim Jong Il statues, Cheong Young Tae, a researcher with the Korea Institute for National Unification, explained to The Daily NK today, “Kim Jong Il inherited the family’s ruling legitimacy by making his father the eternal ‘Suryeong’ (supreme leader). It seems, then, that the process of justifying and enhancing the legitimacy of the revolution now includes setting Kim up as the second ‘Suryeong’ in order to hand over power to the next generation.”

But while statues of Kim are rather rare, they do exist. Open Radio cited a defector as saying, “I’ve seen a Kim Jong Il statue at Kim Jong Il Political Military University in Pyongyang. However, most people do not know about it.”

“I think that is natural, because it is the only university which is named after Kim Jong Il. There is no Kim Jong Il statue in any other province or in official buildings, though” he added.

Additionally, a 2008 report asserted that a gold statue of Kim Jong Il can be found “in the area in front of the National Security Agency office building at the foot of Mt. Amee in Daesung district, Pyongyang.” This one, the report asserted, was erected on Kim Jong Il’s 46th birthday in 1988, but no photos exist to corroborate the claim.

Another, white plaster statue of Kim can be found at the International Friendship Exhibition at Mt. Myohang, north of Pyongyang, this one a stalwart on the North Korean tourist trail.

Additional information:

1.  An image of the Kim Jong-il statue at Myohyangsan can be seen here (link).  Scroll down until you see it.

2.  The Kim Jong il statue reminds me of the Laurent Kabila statue in Kinshasa (both made by the Mansudae Art Studio).

According to the Daily NK:

North Korea has earned more than $160 million in the last ten years thanks to the construction of sculptures and other edifices in countries across Africa.

A Daily NK source in China revealed on the 18th, “Since 2000, North Korea has been earning colossal quantities of dollars through contracts for the Mansudae Overseas Project Group of Companies under the Mansudae Art Institute to construct sculptures.”

Mansudae Art Institute is an organization primarily dedicated to the idolization of Kim Il Sung and Kim Jong Il through public works, one whose construction of edifices such as the Juche Tower and Arch of Triumph in Pyongyang has added to the status of the country.

It has also been building revolutionary monuments in African countries such as Ethiopia since the 1970s in order to maintain cordial relations with socialist states, but in the early 2000s started doing work in African countries to earn foreign currency as well.

According to the source, North Korea has earned $66.03 million from Namibia alone thanks to the construction of the Presidential Palace ($49 million); the Cemetery of National Heroes ($5.23 million); a military museum ($1.8 million); and Independence Hall ($10 million).

It has also earned almost $55 million from Angola via the António Agostinho Neto culture center ($40 million); Cabinda Park ($13 million); and the Peace Monument ($1.5 million).

Additionally, the North has constructed a basketball stadium ($14.4 million) and an athlete academic center ($4.8 million) in the Congo, earning almost $20 million dollars in total.

Thanks to the Monument to the African Renaissance in Senegal, the North has made another $12 million dollars.

There are around 19.8㎢ set aside for a vacation spot for the president of Equatorial Guinea, which is supposed to earn Mansudae around $800,000, not to mention a government office building ($1.5 million), Luba Stadium ($6.74 million) and conference halls ($3.5 million).

The source also reported, “The money earned from these construction projects is managed by the No. 39 Department. Some of these dollars are used for domestic governance, while the rest go to secret accounts in Switzerland or Macau to become Kim Jong Il’s secret funds.”

Here are the images from the story including a table of financial data (which I would take with a grain of salt):

Additional Information:

1. I blogged here about the Derg Monument in Ethiopia.

2. I have located some of the Mansudae Overseas projects mentioned in this story (as well as numerous other places not menioned in this story: Egypt and Syria, Zimbabwe, DR Congo). However, here are GeoEye satellite images of some of the Namibia and Angola projects mentioned above courtesy of Google Earth:  

Namibia National Heroes Acre (22°39’46.02″S,  17° 4’41.06″E):

Namibia State House (22°35’28.83″S,  17° 6’2.76″E)

Cultural Center of António Agostinho Neto (Mausoleum) (8°49’24.73″S,  13°13’8.52″E)

Some non-Korean fans at the Brazil v. DPRK World Cup match brought some humor to the game:

That is funny.

Final Score: Brazil 2, DPRK 1.

UPDATE: According to KCNA: 

Match between DPRK and Brazil 
 
Pyongyang, June 16 (KCNA) — The league match of the 2010 World Cup between the DPRK and Brazil took place at dawn (Pyongyang time) on Wednesday.

From the outset of the match the two teams fought a seesaw battle. The DPRK footballers created good shooting chances, not losing their confidence even after losing two goals.

At about the 88th minute of the match Jong Tae Se headed the ball before passing it to Ji Yun Nam who powerfully kicked it into the rival’s goalmouth, scoring a goal.

The DPRK team will meet its Portuguese rival on June 21.

According to the Los Angeles Times:

The North Koreans are back in the World Cup after a 44-year absence. But some may wonder why they bothered to come.

The Brazilians, who play in the tournament every four years, have more than 500 journalists following them here. The North Koreans, in only their second World Cup, brought two photographers, two TV reporters and one writer.

In the U.S., where soccer is still considered a minor sport, more than 136,000 World Cup tickets were sold. In North Korea, where the team is making history, the national soccer federation distributed 1,400 tickets.

In South Africa, a soccer game is a thinly disguised reason to sing, dance, scream and blow on a vuvuzela for hours. The North Korean fans handpicked to attend their country’s World Cup opener Tuesday displayed all the joy and spontaneity of accountants attending a seminar.

That the game — played in a wind chill of 24 degrees — ended in a 2-1 victory for Brazil was predictable. That several hundred North Korean fans were on hand to watch it was not.

China’s state-run news agency has reported that North Korea had offered tickets to sporting officials and tour agencies in China, which does not have a team here. Chinese journalists in South Africa had adopted the North Koreans as their own and, the news agency reported, about 1,000 Chinese dancers and musicians were recruited to cheer for the North Koreans.

But shortly before Tuesday’s game started, a five-row block of seats on the second level at Ellis Park Stadium filled up with more than 40 men and a woman, all dressed in identical red shirts, jackets and scarves, wearing identical red caps and waving small North Korean flags. Across the way there was another similarly sized red dot of fans in grandstands that were otherwise filled with the green and yellow of Brazil.

Kim Yong Chon, 43, one of the North Korean fans, said the group, which numbered 300, was not Chinese, but he admitted they had been carefully recruited by the North Korean government to make the trip. Speaking through an interpreter, he said the group had left Pyongyang, North Korea’s capital, and traveled through Beijing the same day and they would stay in South Africa as long as their team does.

They sang the North Korean national anthem loudly but sat passively, almost expressionless, through most of the game, with one man sucking on a beer. They spoke only infrequently to one another — Chon said they didn’t know one another before coming to South Africa — and mainly reacted to the action on the field only when directed to do so by a man who stood before them like an orchestra conductor.

Few of the men bothered to acknowledge the non-Korean fans, following the lead of their team, which was hidden on a private floor of a luxury hotel, failed to show at news conferences and banned outside journalists from its training sessions.

FIFA has chosen not to challenge the team over media availability, so after Tuesday’s game, while members of the Brazilian team spoke at length with reporters, most of the North Korean players brushed by. Only a handful bothered to stop at all, most notably star striker Jong Tae Se, who cried during the playing of his country’s national anthem. And he was quickly shooed along by members of the North Korean delegation.

Perhaps all this would have gone unnoticed had North Korea opened against another team that plays a staid, defensive game. But against the passionate Brazilians and their samba-dancing fans, the contrast was stark.

But Chon at least tried to acknowledge the tenets of international friendship and cultural exchange events such as the World Cup are supposed to engender.

“We will also be supporting South Korea,” he said, mentioning the country that North Korean Coach Kim Jong Hun had refused to acknowledge a day earlier. “Our hearts are with them too.

“But we have no tickets for any of their games.”

And according ot the Daily NK:

The Daily NK can reveal that the roughly one hundred North Korea supporters at the North Korea v Brazil football match on Tuesday night were North Koreans already in Africa earning foreign currency for the state.

A Daily NK source in China explained more, “The people who were mobilized for cheering were workers from ‘Overseas Construction Company’ and the Mansudae Art Institute. They are all in Africa generating foreign currency.”

“Overseas Construction Company” is a government department managing personnel and their lives on construction projects abroad. North Korea has several hundred such people in African countries.

The Mansudae Art Institute earns foreign currency producing statues and other public works of art in countries such as Namibia, Angola, Ethiopia and Zimbabwe, and most recently the 164-foot high, $27 million “Monument to the African Renaissance” in Dakar, the capital of Senegal, which was unveiled in April this year.

A second source explained the background to their presence. “North Korea planned to send a large cheering group from Pyongyang,” he said, “but it was cancelled due to problems of cost and difficulties regulating them on site.”

After the authorities cancelled the original plan, they attempted to sell the 65 free tickets they received from FIFA for each of North Korea’s games through overseas offices. However, that also failed.

The source explained, “The authorities attempted to sell them through Chongryon (General Association of North Korean Residents in Japan) and other foreign agents, but no one wanted to buy. Who wants to go South Africa only to see the North Korea games?”

The authorities were reportedly asking $169 per ticket.

Contradicting The Daily NK’s sources, Yonhap released an interview with one of the group, Sunwoo Ryong, today. In it, he claimed, “About 100 of us arrived here two days ago. We’re all from Pyongyang and are regular workers that volunteered.”

According to Yonhap, the group refused to reveal any further information about how they came to be in Johannesburg, but did say they intend to be at every one of the North’s matches.