North Korean Economy Watch

North Korea Uncovered: Version 12
Download it here

About this Project: This map covers North Korea’s agriculture, aviation, cultural locations, markets, manufacturing facilities, energy infrastructure, political facilities, sports venues, military establishments, religious facilities, leisure destinations, national parks, shipping, mining, and railway infrastructure. It is continually expanding and undergoing revisions. This is the 12th version.

Additions include: Tongch’ang-dong launch facility overlay (thanks to Mr. Bermudez), Yongbyon overlay with destroyed cooling tower (thanks to Jung Min Noh), “The Barn” (where the Pueblo crew were kept), Kim Chaek Taehung Fishing Enterprise, Hamhung University of education, Haeju Zoo, Pyongyang: Kim il Sung Institute of Politics, Polish Embassy, Munsu Diplomatic Store, Munsu Gas Station, Munsu Friendship Restaurant, Mongolian Embassy, Nigerian Embassy, UN World Food Program Building, CONCERN House, Czech Republic Embassy, Rungnang Cinema, Pyongyang University of Science and Technology, Pyongyang Number 3 Hospital, Electric Machines Facotry, Bonghuajinlyoso, Second National Academy of Sciences, Central Committee Building, Party Administration Building, Central Statistics Bureau, Willow Capital Food House, Thongounjong Pleasure Ground, Onpho spa, Phipa Resort Hotel, Sunoni Chemical Complex (east coast refinery), Ponghwa Chemical complex (west coast refinery), Songbon Port Revolutionary Monument, Hoeryong People’s Library, Pyongyang Monument to the anti Japanese martyrs, tideland reclamation project on Taegye Island. Additionally the electricity grid was expanded and the thermal power plants have been better organized. Additional thanks to Ryan for his pointers.

I hope this map will increase interest in North Korea. There is still plenty more to learn, and I look forward to receiving your contributions to this project.

Version 12 available: Download it here

Joseph Dresnok, the last of the DPRK’s four US defectors, sat down with Mark Seddon to give his first interview since the 2006 release of Crossing the Line.

Click on image below to see the interview on YouTube:

Pictured Above: Dresnok with Glyn Ford, EU parliamentarian and author of North Korea on the Brink

The interview was also written up in The Guardian.  Much of the material is covered in Crossing the Line, with a couple of notable exceptions:

Dresnok describes himself as a citizen of Pyongyang. “I call it my country because I have been here for 46 years. My life is here. Enough? The government will take care of me until my dying breath.” So would he like to return to the US? “I tell you, yes; I must be honest to you. I would like to see the place. But how can I go there and dance in front of the American government, when they are arming South Korea?” Dresnok knows that he would be arrested on arrival, as was Jenkins, when he returned to the west in 2004. There is no love lost between Dresnok and Jenkins, who recanted on his return just over three years ago, denounced Dresnok and was granted clemency after only 30 days in the clink. Were he ever to leave North Korea, Dresnok is unlikely to get off so lightly, having been painted as the ringleader by Jenkins. Abshier and Parrish both died in North Korea, where their families remain.

…

And with that Comrade Joe prepares to return to his apartment, where his wife and children are waiting. It is illegal to listen to foreign broadcasts, but as he gets up Dresnok offers his opinion on the US election: “I’m told McCain will get it.”

(Hat tip to Gag Halfrunt for the story)

The most authoritative map of North Korea on Google Earth
Download it here

This map covers North Korea’s agriculture, aviation, cultural locations, markets, manufacturing facilities, railroad, energy infrastructure, politics, sports venues, military establishments, religious facilities, leisure destinations, and national parks. It is continually expanding and undergoing revisions. This is the eleventh version.

Additions include: Mt. Paegun’s Ryonghung Temple and resort homes, Pyongyang’s Chongryu Restaurant, Swiss Development Agency (former UNDP office), Iranian Embassy, White Tiger Art Studio, KITC Store, Kumgangsan Store, Pyongyang Fried Chicken Restaurant, Kilju’s Pulp Factory (Paper), Kim Chaek Steel Mill, Chongjin Munitions Factory, Poogin Coal Mine, Ryongwun-ri cooperative farm, Thonggun Pavilion (Uiju), Chinju Temple (Yongbyon), Kim il Sung Revolutionary Museum (Pyongsong), Hamhung Zoo, Rajin electrified perimeter fence, Pyongsong market (North Korea’s largest), Sakju Recreation Center, Hoeryong Maternity Hospital, Sariwon Suwon reservoir (alleged site of US massacre), Sinpyong Resting Place, 700 Ridges Pavilion, Academy of Science, Hamhung Museum of the Revolutionary Activities of Comrade Kim Il Sung, South Hamgyong House of Culture, Hamhung Royal Villa, Pork Chop Hill, and Pyongyang’s Olympic torch route. Additional thanks go to Martyn Williams for expanding the electricity grid, particularly in Samjiyon, and various others who have contributed time improving this project since its launch.

Disclaimer: I cannot vouch for the authenticity of many locations since I have not seen or been to them, but great efforts have been made to check for authenticity. These efforts include pouring over books, maps, conducting interviews, and keeping up with other peoples’ discoveries. In many cases, I have posted sources, though not for all. This is a thorough compilation of lots of material, but I will leave it up to the reader to make up their own minds as to what they see. I cannot catch everything and I welcome contributions.  Additionally, this file is getting large and may take some time to load.

Koryo Tours has tremendous access to the DPRK and they are pursuing several interesting projects.  Check out their newsletter here.  Of special note, there will be two different mass games performances this summer/autumn.  From the newsletter:

As before the big news though in terms of tourism in DPRK is the Mass Games event – this year for the first time two different performances have been arranged with the classic Arirang show being performed on Mon, Wed, Fri and Sat, and the brand new, not-yet-seen (even by the critics!) Prosper the Motherland! taking place on Tuesdays and Thursdays. Both of these shows feature the full complement of 100,000 performers in the May Day Stadium and both will run to approx 90 minutes offering anyone who s there the chance to witness what is simply the greatest show on Earth, some information on the events can be found here. The Olympics will pale in comparison… a double dose of Mass Games will undoubtedly be vastly superior to the sight of amateur athletes running around in circles and throwing things!

Also, Nick Bonner is producing a new (non-documentary) film in North Korea. The plot, according to the newsletter:

Comrade Kim goes Flying - we are in development with our new romantic comedy feature film…to be filmed in Pyongyang with Korean cast and crew….more about this later – but a coal miner dreams of flying on the trapeze until she is thwarted by the strong man….

UPDATE: Here is an interview with KT’s Simon Cockerell on Interview Blog.

The Korean Film Council in Seoul analyzed North Korean films and TV dramas recorded between 2000 - 2006.  As discussed in an earlier post on this topic, initial findings indicate North Korean films made during this period differed tremedously over earlier years in that they portrayed real-life situations including husband-wife conflicts and generational differences (see A School Girl’s Diary).  

In the 1970s, films depicted the achievements of the two leaders. In the 1980s, works portrayed the happiness of citizens living in ‘our socialist society’.  The first kiss appeared in the 1980’s film, Snow Melting in the Springtime (봄날의 눈석이).  After Kim Il Sung’s death, films began to reemphasize the revolutionary tradition. The works focusing on the Kim Il Sung and Kim Jong Il revolutionary achievements were produced in order to strengthen the spiritual training of citizens.   

Read more here:
No Love Scenes or Love Triangles in NK Dramas
Daily NK
Yang Jung A
6/19/2008

Today, the Daily NK publishes a review of Peacemaker: South-North Relations and the North Korean Nuclear Issue over the past 20 years,  by Lim Dong Won, “evangelist of the Sunshine Policy” and former director of South Korea’s National Intelligence Service.

The book (not available in English) publicizes dialogues between Kim Jong Il and the author when he visited Pyongyang for the first Inter-Korea Summit in 2000 and as a South Korean delegate in 2002.  

Actually, the Daily NK’s article is not so much a review of the book as it is a series of interesting excerpts:

[Kim Jong il speaking] Joint Security Areais a good movie. I showed it to the generals of the military and cadres of the Party.’ All of sudden, [KJI] asked [the] general of the People’s Army Lee Myung Su and secretary Kim Yong Soon how many series of a South Korean historical drama, “Petticoat Government” they had watched. [KJI] said that ‘South Korea produces historical dramas well. I’ve instructed the Director of the Propaganda Department of the Party to learn the South Korean way of making historical dramas.’

Lim Dong Won also revealed that at the Inter-Korea Summit in 2000, Kim Jong Il agreed with Kim Dae Jung’s comment, “Even after the unification, the U.S. military presence in South Korea will be needed.” The former president Kim asked him “Why are you insisting through your media on the withdrawal of the U.S. military from the South?” and Kim Jong Il replied to him that he wanted President Kim to understand it was just to soothe the peoples’ feeling.

When Lim asked Kim Jong Il to visit Seoul in April of 2002, Kim Jong Il said that “In fact, I tried to visit Seoul in the spring of 2001, but the situation was changed due to George Bush, who looked on us as an enemy, being elected President of the U.S. Furthermore, the situation of the South was such that the leftists demanded that the North apologize to them for the Korean War and the explosion of KAL, and my visiting Seoul would have deteriorated the relations between the North and the South. Therefore, my close associates held me back from going to the South.”

According to his book, Lim revealed that a hot line has been set up since the first Inter-Korea Summit in 2000 and has been used when crises happened between the South and the North. In June, 2002, when a battle occurred in the West Sea, the North sent an urgent telephone-notice, saying “I heard with regret that it happened accidently.”

Read the full story here:
Veiled Dialogues with Kim Jong Il Revealed
Daily NK
6/12/2008

I just returned home from a screening of the North Korean film, A School Girl’s Diary (ASGD), hosted by James Person at  the  North Korean International Documentation Project (NKIDP) and  Suk-Young Kim from the University of California, Santa Barbara.

Although times have changed significantly in North Korea since the famed Sea of Blood was released, the purpose of the cinematic arts within the North Korean system has not.  In short, film in the DPRK is meant to be regime enhancing—reinforcing official social and political norms.  What is interesting about ASGD compared with previous North Korean films, however, is the muted use of propaganda and tacit admission that things are not perfect in the Workers Paradise.  Is it possible the change in communications tactics is the result of changing attitudes within North Korean society?

Sea of Blood is as subtle as a pulp comic.  It offers action, intense feelings, flat characters (clear protagonist/antagonist), and a simple “us vs. them” plot line.  In the film, Koreans are the victims of brutal Japanese imperialism and Kim il Sung is the savior who delivers them from oppression.  At the time Sea of Blood was released, however, the first generation of revolutionaries was in control of the country, memories of Japanese colonialism were fresh, and people were more enthusiastic about their country’s future.

Today, the North Korean government is struggling to indoctrinate its “third generation (3G).”  The 3Gs have no memories of Japanese colonialism or of the Korean War.  Children, who have likely never met an American, do not hate the “American Imperialists” like their parents and grandparents.  3Gs have seen many state institutions collapse; they have seen the social contract broken; they have seen economic decline; and they have survived a famine.  Additionally, they have grown up buying and selling in markets and are more familiar with South Korean and Chinese culture than their parents could have imagined at their age. 

Given these huge demographic changes, it seems probable that the style of ASGD represents the regime’s most recent efforts to socialize this new generation of comrades.  A School Girl’s Diary makes only one explicit reference to the leader and portrays life as less than ideal.  After sixty years of revolutionary struggle, people fight with each other, express their egos, and feel jealousy. In short, the film portrays characters, locations, and motivations that many contemporary North Koreans could probably identify with.  As was noted in the discussion following the film, Mickey Mouse made a cameo on a backpack (likely imported from China and bought at a market), there was a veiled reference to sex, or lack thereof, and the star of the film complained about her absentee father (the metaphorical Kim Jong il).

You can read a professional review of the film in Variety here.

You can read academic discussion of the film here. (h/t Werner Koidl)

My friend Paul at Knife Tricks recently interviewed the producers of Crossing the Line about the logistics of filming in the DPRK.  Here are some excerpts:

Gordon and his crew brought their own equipment to North Korea because local film technology was not compatible with the needs of a modern documentary shoot. “As far as equipment goes, they film on 35mm, and we were filming on DigiBeta for the first two films and hi-def video for Crossing the Line,” says Gordon.

“I used standard Canon lenses,” notes Bennett. “When I needed to light, I used Kino Flos, but much of the film was shot with available light.” Gordon adds, “In North Korea, the electricity isn’t necessarily on, and when it’s on, it isn’t necessarily constant, so we tried to use available light wherever we could.” He carried batteries at all times and hooked into mains when possible.

In addition to Gordon, Bennett, soundman Stevie Haywood and co-producer Nicholas Bonner, the crew included one or two North Koreans assigned to the shoot by the Ministry of Culture. Gordon notes, “Your immediate suspicion is that they’re government plants — security people pretending to be film people. But the longer you work with people, you tend to find out what they are and what they’re not, and the people we worked with day by day were absolutely film people.”

“They basically took it upon themselves that they were going to work for us and get us the access that we wanted, whatever that took and whatever personal risks that took on their part,” he continues. “Had it all gone wrong, there would have been quite nasty consequences for everyone involved.”

The filmmaking process involved many nights of discussions with the North Koreans about access or other issues concerning the next day’s shooting. The topics to be discussed with Dresnok were provided to the North Koreans in advance, with the understanding that new topics would arise over the course of the interview. The minders occasionally reviewed the dailies. “There was never an occasion when they said, ‘No, you can’t shoot that,’” Bennett recalls. “There were lots of occasions where they’d hem and haw as to whether they wanted us to film something, and we shot it, and they had a look at it afterwards and said, ‘Yeah, it’s fine.’ You’re not always aware of what they’re looking for.”

“No footage was ever taken away from us,” adds Bennett. “We came away with everything we shot.”

The North Koreans had no hand in the edit, either. Gordon says the final cut was not shown to North Korean officials until after it was screened at the Busan Film Festival in South Korea.

Read the full article here:
Documentary filmmakers are granted rare access to shoot a project that provides glimpses of life in the closed-off society.
American Cinematographer
Paul Karl Lukacs
March 2008

(NKeconWatch: “I hope to see you there”) 

April 09 2008, 4:00 p.m. - 6:30 p.m.
6th Floor Auditorium
Woodrow Wilson Center
One Woodrow Wilson Plaza
1300 Pennsylvania Ave., NW
Washington, DC 20004

Learn more and REGISTER here. 

The Schoolgirl’s Diary (Han Nyeohaksaengeui Ilgi-2006, in Korean–no subtitles) is the story of a self-absorbed North Korean teenager, Soo-Ryeon, who yearns to move to an apartment from her home in the countryside and questions the values of her father and mother; a scientist and a librarian at the academy of sciences who put the good of the nation before that of their family. Soo-Ryeon realizes how selfish she is only after her mother falls ill and her father makes a major breakthrough in his research. The film’s screenwriters reportedly received guidance in drafting the script from North Korean leader Kim Jong Il.

Following the screening: Suk-Young Kim will discuss the film and offer comments.  Suk-Young Kim is assistant professor of theater and dance at the University of California at Santa Barbara and an expert on North Korean propaganda. She is currently completing a book project titled Illusive Utopia: Theater, Film, and Everyday Performance in North Korea, which explores how state produced propaganda performances intersect with everyday life practice in North Korea. Another book project, Long Road Home: A Testimony of a North Korean Camp Survivor (coauthored with Kim Yong) is forthcoming from Columbia University Press.

Sponsored by: North Korean International Documentation Project

The Daily NK reports that demand for South Korean pornography among Northerners is on the increase:

The demand for X-rated movies among North Korea’s high cadres is so great that a single VCD sells for 50 US dollars.

The latest publication of Good Friends, a North Korea-related aid organization, tells the story of Mr. Park, a resident of Hyesan, Yangkang Province. Mr. Park was arrested for making copies of South Korean adult movies–called “colored movies” in North Korea–and selling them in Pyongyang. Despite the high price per VCD, the publication notes that supplies are getting tight.

“Mr. Park bought the CDs near the North Korean- Chinese border from China. Then he would make his friend in Pyonsung, South Pyongan Province copy them and to sell them to traders in Pyongyang,” reported the publication.

The fact that there is a demand for pornography in the DPRK is not surprising (I have met several North Koreans who have seen it more than once) but the price reported in the story seems unusually high. 

Read the full story here:
Pyongyang Cadres Want South Korean Adult Movies
Daily NK
Park In Ho
4/4/2008